With Drift Away, director Xavier Beauvois––known internationally for his masterful monastery-set Of Gods and Men––juxtaposes the picturesque scenery of norther...
Wheel of Fortune and Fantasy is cinema portmanteau: three short stories focused on three different characters, each a little lovesick and just a little lost. T...
In 1953, Chris Marker and Alain Resnais released Statues Also Die, a key work in their fledgling early careers that focused on traditional African art and its ...
As his old compatriots dabble in as far flung places as comic noirs (The Whistlers) and über-dense period symposiums (Malmkrog), it’s interesting that Radu Jud...
After the ambitious and wildly popular Portrait of a Lady on Fire shot Céline Sciamma into the arthouse stratosphere, she has returned with her fifth feature, ...
High anticipation for a new Ryūsuke Hamaguchi film is a relatively recent phenomenon. The Japanese director completed his debut film Passion around the tail en...
Falling in love with a robot isn’t good news, as Her and Blade Runner (both 2019 and 2049) tell us. In I’m Your Man, unspooling in competition at Berlin, a for...
Set to premiere at Berlin International Film Festival's Forum section this week is From Where They Stood (aka À pas aveugles), which takes a unique look at Hol...
First paragraphs of Hong Sang-soo reviews often dwell on the Korean master’s penchant for self-repetition, soothing readers that narrow expectations will be fu...
An aura of pure eccentricity billows off the new film by Québécois provocateur Denis Côté, like a fug of stale-smelling nitrous oxide. Akin to his prior work o...
