Even before the pandemic, the art of film projection and exhibition has been a rarified breed in the era of digital presentations and the conglomeration of mov...
It’s late February and Abel Ferrara is sitting on the couch of a Berlin hotel room, slouched beside is his friend, muse, and confidante Willem Dafoe. They look...
Abel Ferrara is debuting his newest film with longtime collaborator Willem Dafoe, Tommaso, as a virtual cinema release due to the ongoing conditions COVID-19 u...
Abel Ferrara is here to spice up the summer. Reteaming with Willem Dafoe following 4:44 Last Day on Earth, Pasolini, Go Go Tales, New Rose Hotel, and prior to ...
One of the great collaborations in recent cinema is that of Willem Dafoe and Abel Ferrara, including 4:44 Last Day on Earth, Pasolini, Go Go Tales, and New ...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
There are roughly two key types of autobiographical auteur movies. One is the phantasmagoric childhood upbringing kind–as in Fellini's Amarcord or, more recentl...
With the U.S. release of Pasolini, the premiere of his new documentary The Projectionist at Tribeca, his new narrative film Tommaso bowing at Cannes, production...
