The Film Stage - Page 844

TIFF Review: ‘The Nothing Factory’ is an Empathetic, Over-Extended Social Drama

Near the end of The Nothing Factory, the film’s ostensible lead player Ze (José Smith Vargas) angrily remarks to Daniele (real-life documentarian Daniele Incalc...

New to Streaming: ‘The Big Sick,’ ‘Paris Can Wait,’ ‘Harmonium,’ ‘Lost in Paris,’ and More

All the newly streaming films on Netflix, FilmStruck, Amazon, and more....

‘The Current War’ Trailer: Benedict Cumberbatch and Michael Shannon Have an Electrifying Feud

After dodging a bullet by leaving just before production was set to begin on Collateral Beauty, the first true Hollywood production from Alfonso Gomez‐Rejon...

TIFF Review: ‘Borg vs. McEnroe’ Targets Turmoil More Than Tennis

Juan Martin del Potro just ruined the match-up everyone wanted to see at the 2017 US Open—a semi-final pitting Rafa Nadal against Roger Federer. Despite both be...

‘Evangelion: 1.0 You Are (Not) Alone’ and the Indisputable Mastery of Hideaki Anno

In the world of Japanese pop auteurs, there are few rising stars as unpredictably eclectic, temperamental, and consistently fascinating as Hideaki Anno....

NYC Weekend Watch: Jane Campion, ‘Rumble Fish,’ Frederick Wiseman, New Wave in New Millennium & More

All the best films screening in New York City this weekend....

Venice Review: ‘Foxtrot’ is a Drama of Originality and Sheer Vitality

The discovery of fresh, bold voices in cinema has always been one of the great joys of visiting film festivals. And this year in Venice, probably no film in com...

Aardman Animations Get Prehistoric in Full-Length Trailer for ‘Early Man’

In early 2018, we'll be treated with a pair of highly-promising stop-motion animations. Before Wes Anderson's Isle of Dogs arrives in April, Nick Park and A...

‘The Square’ Trailer: Ruben Östlund Targets the Art World in Palme d’Or Winner

While his breakout feature Force Majeure was met with much acclaim a few years ago, Ruben Östlund returned to Cannes Film Festival with The Square, which ea...

‘Thelma’ Trailer: Joachim Trier Goes Supernatural for Lesbian Thriller

After a nearly year-long wait from its Cannes premiere to U.S. debut for Joachim Trier's last film, Louder Than Bombs, the delay won't be nearly as long for...

News

MUBI’s May 2024 Lineup Features Radu Jude, Bertrand Bonello, Lee Chang-dong & More

David Lynch Debuts New Remix — Listen

Eliza Hittman Sets Fourth Feature with MOTHERLOVE

Trailers

New Trailer for 4K Restoration of Time of the Heathen Captures a World After the Atomic Bomb

Jia Zhangke and Bi Gan Voice a Coming-of-Age Tale In Exclusive Trailer Debut for Liu Jian’s Art College 1994

Kiyoshi Kurosawa Covers Classic Terrain In First Trailer for Serpent’s Path

Reviews

Challengers Review: Non-Stop Lurid Entertainment Rides the Charisma of Its Stars

Omen Review: An Assured Debut That Never Falters in Ambition or Surprise

The People’s Joker Review: Superhero-Skewering Satire is Miraculous in Multiple Ways

Features

NYC Weekend Watch: Love Streams, Kiyoshi Kurosawa, Ozu & More

New to Streaming: Dune: Part Two, Hundreds of Beavers, Problemista, Immaculate & More

The Best Movies Now Playing in Theaters

Interviews

Frederick Elmes on John Cassavetes’ Infectious Confidence, Imitating Sven Nykvist, and Ang Lee’s Hulk

Becoming the Beast: George MacKay on Fighting for Bertrand Bonello’s Film, Learning French, and Modern Incel Culture

“I’m Not an Actor”: Léa Seydoux on Her Creative Self and False Public Perception

Podcasts

The B-Side – Robert Redford (with Blake Howard)

The Film Stage Show Ep. 534 – Monkey Man (with Jenny Nulf)

The B-Side – In Conversation with Larry Fessenden

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