The Film Stage - Page 78

Cinematographer Ed Lachman on Being Pablo Larraín’s “Dance Partner” for El Conde

Cinematographer Ed Lachman doesn’t often work with new directors, but for someone he considers “the most important filmmaker in South America,” he’ll make an e...

TIFF Review: Sorry/Not Sorry is a Reductive Inquiry into the Cancellation of Louis C.K.

No institution can dodge Louis C.K.'s comedic legacy and sexual allegations, TIFF included, where he appeared immediately pre-#MeToo with his film I Love You, ...

Terence Davies on Bringing Poetry to Life, Directing His New Short, and Planning His Next Feature

Special is the opportunity to speak with one of our great living filmmakers; doubly rare is a chance to do so as their latest project premieres on YouTube. Par...

Nicolas Cage Enters Your Mind in First Trailer for Dream Scenario

In a rare feat, Kristoffer Borgli premiered his second U.S. release of the year after the jet-black Norwegian comedy Sick of Myself. Teaming him with Nico...

Joachim Trier and Renate Reinsve Plot Worst Person in the World Reunion Sentimental Value

Legend has it Renate Reinsve's still running with a joyful expression, but Joachim Trier is soon bringing her back into the fold: with regular co-writer Eskil ...

The Criterion Collection’s December Lineup Includes Guillermo del Toro, The Red Balloon Box Set, and Blast of Silence

And with that, Criterion's year closes out. They've ended 2023 with a small set of additions, on the 4K front rescuing Guillermo del Toro and Mark Gustafson's ...

TIFF Review: Sing Sing is an Emotionally Restorative Portrait of the Artistic Process

“We are here to become human again.” This is the mantra of the Rehabilitation Through the Arts program, founded in Sing Sing Correctional Facility, a prison ju...

TIFF Review: Lukas Moodysson’s Together 99 is a Bittersweet, Bruising Reunion

The idyllic dream of leftist commune living, where resources and skills are shared for the greater good, needs a key ingredient to work: people. Two decades af...

TIFF Review: The Promised Land Showcases Mads Mikkelsen in a Light, Entertaining Piece of Historical Fiction

After his 2012 film A Royal Affair received an Oscar nomination for Best Foreign Language Film, Danish writer-director Nikolaj Arcel did what probably seemed l...

A Haunting in Venice Review: Kenneth Branagh Reaches Poirot Peak with His Best-Directed Work in Decades

A Haunting in Venice is both the best Kenneth Branagh film and the best Agatha Christie adaptation in decades. Adapted from the famed mystery writer's 1969 nov...

News

MUBI’s May 2024 Lineup Features Radu Jude, Bertrand Bonello, Lee Chang-dong & More

David Lynch Debuts New Remix — Listen

Eliza Hittman Sets Fourth Feature with MOTHERLOVE

Trailers

New Trailer for 4K Restoration of Time of the Heathen Captures a World After the Atomic Bomb

Jia Zhangke and Bi Gan Voice a Coming-of-Age Tale In Exclusive Trailer Debut for Liu Jian’s Art College 1994

Kiyoshi Kurosawa Covers Classic Terrain In First Trailer for Serpent’s Path

Reviews

Challengers Review: Non-Stop Lurid Entertainment Rides the Charisma of Its Stars

Omen Review: An Assured Debut That Never Falters in Ambition or Surprise

The People’s Joker Review: Superhero-Skewering Satire is Miraculous in Multiple Ways

Features

NYC Weekend Watch: Love Streams, Kiyoshi Kurosawa, Ozu & More

New to Streaming: Dune: Part Two, Hundreds of Beavers, Problemista, Immaculate & More

The Best Movies Now Playing in Theaters

Interviews

Frederick Elmes on John Cassavetes’ Infectious Confidence, Imitating Sven Nykvist, and Ang Lee’s Hulk

Becoming the Beast: George MacKay on Fighting for Bertrand Bonello’s Film, Learning French, and Modern Incel Culture

“I’m Not an Actor”: Léa Seydoux on Her Creative Self and False Public Perception

Podcasts

The B-Side – Robert Redford (with Blake Howard)

The Film Stage Show Ep. 534 – Monkey Man (with Jenny Nulf)

The B-Side – In Conversation with Larry Fessenden

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