Tomboy and Girlhood director Céline Sciamma returned this year with one of the toasts of Cannes Film Festival, her Best Screenplay winner Portrait of a Lady...
Molly Ivins, the consistently acerbic and witty liberal journalist whose writings and interviews have continued to influence myriad journalists and political ...
While Netflix has some fairly high-profile releases this fall, including new films from Martin Scorsese, Noah Baumbach, Steven Soderbergh, and David Michôd,...
In Ulrich Köhler’s 2018 film In My Room a man escapes–and thus finds catharsis–from his floundering, grown-up city life only after waking up to find that he, fo...
There is a wonderful moment in Driven, the story of controversial carmaker John DeLorean’s headline-grabbing 1980s rise and fall, that encapsulates the film’s m...
Before surrealist legend Luis Buñuel found himself directing multiple films a year during the 1950s on the way to creating French classics like Belle de Jour an...
Patrick Vollrath’s 7500 is a one-room, one-man show. It asks you to spend 92 minutes inside the cockpit of an Airbus A319, and in intimate quarters with a young...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
Spanish maestro Pedro Almodóvar returns this year with Pain and Glory, which found success during its release in Spain and festival debut at Cannes, and wil...