The Film Stage - Page 488

The Film Stage Show Classic – The Descent (with Amanda Waltz)

Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan and Bill Graham are reunited with Amanda Waltz to discuss Neil Marshall's...

CIFF Dispatch: Striding into the Wind, Sweat, Transoceánicas, and Sleep

As my time at the 56th Chicago International Film Festival starts to wind down, I’ve been thinking about movies. Who knew? More specifically, I’ve been thinkin...

Rebecca Review: Ben Wheatley’s Adaptation Switches Up the Tone, Genre & Psychology of the Hitchcock Classic

Despite David O. Selznick's desire to keep his cinematic adaptation of Daphne Du Maurier's novel Rebecca as true to the source novel as possible and not aliena...

BFI London Review: Herself Empathetically Shows the Value of Community for Survivors of Abuse

Abuse is a hard subject to talk about, let alone put into words, and filmmakers who choose to tell these stories always have a struggle. How much of the incide...

CIFF Dispatch: Of Fish and Men, Preparations to Be Together for an Unknown Period of Time, The Prophet and the Space Aliens, The Reason I Jump

Skating into my halfway point for the 56th Chicago International Film Festival, I’m starting to realize the little things I miss about doing this in person. Su...

BFI London Review: Ammonite Excavates an Authentic, Textured Love Story

Calling a Kate Winslet performance career-best is no easy statement, but her turn as 19th-century English paleontologist Mary Anning in Ammonite is certainly i...

CIFF Dispatch: Kubrick by Kubrick, Mama Gloria, and Dear Comrades!

With another day at the (virtual) 56th Chicago International Film Festival comes another batch to sift through. It was a lighter batch too, not just in numbers...

Werner Herzog Looks to the Skies in First Trailer for Fireball: Visitors From Darker Worlds

After going Into the Inferno with Clive Oppenheimer, the duo will look to the skies for their next cinematic exploration. Fireball: Visitors From Darker Worlds...

Love and Monsters Review: Dylan O’Brien Leads a Well-Rounded Adventure Rooted in Reality

We're seven years past the apocalypse. Eight years since the world banded together to send every nuclear missile on Earth into the sky to stop an asteroid hell...

Martin Eden Director Pietro Marcello on the Damage of Neoliberalism and the Need for True Socialism

For his adaptation of Jack London’s “Martin Eden," Pietro Marcello changed the setting of from the novel’s pre-WWI America to pre-World War II Italy. He told u...

News

MUBI’s May 2024 Lineup Features Radu Jude, Bertrand Bonello, Lee Chang-dong & More

David Lynch Debuts New Remix — Listen

Eliza Hittman Sets Fourth Feature with MOTHERLOVE

Trailers

New Trailer for 4K Restoration of Time of the Heathen Captures a World After the Atomic Bomb

Jia Zhangke and Bi Gan Voice a Coming-of-Age Tale In Exclusive Trailer Debut for Liu Jian’s Art College 1994

Kiyoshi Kurosawa Covers Classic Terrain In First Trailer for Serpent’s Path

Reviews

Challengers Review: Non-Stop Lurid Entertainment Rides the Charisma of Its Stars

Omen Review: An Assured Debut That Never Falters in Ambition or Surprise

The People’s Joker Review: Superhero-Skewering Satire is Miraculous in Multiple Ways

Features

NYC Weekend Watch: Love Streams, Kiyoshi Kurosawa, Ozu & More

New to Streaming: Dune: Part Two, Hundreds of Beavers, Problemista, Immaculate & More

The Best Movies Now Playing in Theaters

Interviews

Frederick Elmes on John Cassavetes’ Infectious Confidence, Imitating Sven Nykvist, and Ang Lee’s Hulk

Becoming the Beast: George MacKay on Fighting for Bertrand Bonello’s Film, Learning French, and Modern Incel Culture

“I’m Not an Actor”: Léa Seydoux on Her Creative Self and False Public Perception

Podcasts

The B-Side – Robert Redford (with Blake Howard)

The Film Stage Show Ep. 534 – Monkey Man (with Jenny Nulf)

The B-Side – In Conversation with Larry Fessenden

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