The Film Stage - Page 189

Watch Terrence Malick’s New Commerical for Louis Vuitton

As Terrence Malick toils away on the customary multi-year editing process for his latest work, the Biblical epic The Way of the Wind (which we wouldn't be surp...

Christopher Nolan’s Oppenheimer Will Take Place Over 45 Years

Although Christopher Nolan has moved from Warner Bros. to Universal, we wouldn't be surprised if his new home follows some of the same marketing tactics that h...

NYC Weekend Watch: A.I., The New World, The Last Waltz & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Roxy Cinema Two of Steven Spielberg's best films, A.I. and Catch Me If You Can, play on ...

Doclisboa Review: Werner Herzog’s The Fire Within Offers Another Take on the Kraffts

Infamous had Capote, Antz had A Bug’s Life—the list goes on. Enter The Fire Within, Werner Herzog’s latest brush with nature’s extremities, and the second docu...

Thessaloniki Review: I Have Electric Dreams is a Visceral, Volcanic Two-Hander

Nothing catches fire in Valentina Maurel’s I Have Electric Dreams, but the atmosphere is so inflammable, the air so taut, everything could ignite at any moment...

New to Streaming: Armageddon Time, Triangle of Sadness, Something in the Dirt, Lucrecia Martel & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...

Devotion Review: Jonathan Majors Shines in Entertaining, Inspiring Aviation Drama

Devotion adheres to the true story of Jesse Brown, the first Black Naval aviator. It’s a name many will be hearing for the first time. Adapted from a 2014 nove...

White Noise Cinematographer Lol Crawley on Noah Baumbach’s New Direction and Working with Bob Dylan

A major American filmmaker's take on one of the most "unadaptable" novels this side of the second World War has, no surprise, inspired debate. But wherever one...

Listen: Steven Spielberg & Paul Thomas Anderson Discuss The Fabelmans in 35-Minute DGA Conversation

Here's quite a Thanksgiving treat for you. With The Fabelmans expanding wide this week, the Directors Guild of America has shared a special conversation betwee...

Leonor Will Never Die Review: A Meta-Textual Journey Through Filipino Cinema’s Past

Martika Ramirez Escobar’s creative and inspired debut Leonor Will Never Die employs a narrative trick à la Spike Jonze and Charlie Kaufman’s Adaptation. The st...

News

MUBI’s May 2024 Lineup Features Radu Jude, Bertrand Bonello, Lee Chang-dong & More

David Lynch Debuts New Remix — Listen

Eliza Hittman Sets Fourth Feature with MOTHERLOVE

Trailers

New Trailer for 4K Restoration of Time of the Heathen Captures a World After the Atomic Bomb

Jia Zhangke and Bi Gan Voice a Coming-of-Age Tale In Exclusive Trailer Debut for Liu Jian’s Art College 1994

Kiyoshi Kurosawa Covers Classic Terrain In First Trailer for Serpent’s Path

Reviews

Challengers Review: Non-Stop Lurid Entertainment Rides the Charisma of Its Stars

Omen Review: An Assured Debut That Never Falters in Ambition or Surprise

The People’s Joker Review: Superhero-Skewering Satire is Miraculous in Multiple Ways

Features

NYC Weekend Watch: Love Streams, Kiyoshi Kurosawa, Ozu & More

New to Streaming: Dune: Part Two, Hundreds of Beavers, Problemista, Immaculate & More

The Best Movies Now Playing in Theaters

Interviews

Frederick Elmes on John Cassavetes’ Infectious Confidence, Imitating Sven Nykvist, and Ang Lee’s Hulk

Becoming the Beast: George MacKay on Fighting for Bertrand Bonello’s Film, Learning French, and Modern Incel Culture

“I’m Not an Actor”: Léa Seydoux on Her Creative Self and False Public Perception

Podcasts

The B-Side – Robert Redford (with Blake Howard)

The Film Stage Show Ep. 534 – Monkey Man (with Jenny Nulf)

The B-Side – In Conversation with Larry Fessenden

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