The Film Stage - Page 178

NYC Weekend Watch: Amadeus, Lars von Trier, The Rules of the Game & More

Roxy CinemaFriday offers Amadeus on 35mm, Hardcore, and Christmas Evil. Film at Lincoln CenterLars von Trier’s The Kingdom II, restored in a new director’s ...

New to Streaming: Aftersun, Millennium Mambo, Glass Onion, Bi Gan & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...

Millennium Mambo Restored: Revisiting Hou Hsiao-hsien’s Hypnotic Portrait of Precarity

Hou Hsiao-hsien’s Millennium Mambo premiered at the Cannes Film Festival in 2001 to, sadly, so little enthusiasm outside the highbrow crowd that it didn't fina...

The Pale Blue Eye Review: Scott Cooper Crafts a Chilly, Tedious Gothic Murder Mystery

With a filmography of muscular acting showcases, patient tempos, and emphasis on brooding atmosphere, it’s evident Scott Cooper has been influenced by the ende...

The Film Stage’s Top 50 Films of 2022

For our most comprehensive year-end feature we’re providing a cumulative look at The Film Stage’s favorite films of 2022. We’ve asked contributors to comp...

The B-Side – Sam Raimi (with Josh Ruben)

Welcome to The B-Side, from The Film Stage. Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones they mad...

RRR, Decision to Leave, LCD Soundsystem, Crimes of the Future, EO & More Shortlisted for Oscars

Ahead of the nominations for the 95th Academy Awards, being unveiling on January 24, and the ceremony, taking place March 12, shortlists have been announced in...

A Hou Hsiao-hsien Masterpiece is Restored in New Trailer for Millennium Mambo

Slowly but surely the works of one of the greatest directors in cinema history are getting restored. On the heels of the recent Flowers of Shanghai revamp, Hou...

Of An Age Trailer: You Won’t Be Alone Director Goran Stolevski Returns with Queer Drama

One of the most curious cases in cinema this year was the reception of Goran Stolevski's debut feature You Won't Be Alone. While widely praised, even landing o...

Jafar Panahi Battles Oppression Through Filmmaking in U.S. Trailer for No Bears

A radically-defiant artist, Iranian director Jafar Panahi has been making some of the most vital––both artistically and politically––works of the last three de...

News

MUBI’s May 2024 Lineup Features Radu Jude, Bertrand Bonello, Lee Chang-dong & More

David Lynch Debuts New Remix — Listen

Eliza Hittman Sets Fourth Feature with MOTHERLOVE

Trailers

New Trailer for 4K Restoration of Time of the Heathen Captures a World After the Atomic Bomb

Jia Zhangke and Bi Gan Voice a Coming-of-Age Tale In Exclusive Trailer Debut for Liu Jian’s Art College 1994

Kiyoshi Kurosawa Covers Classic Terrain In First Trailer for Serpent’s Path

Reviews

Challengers Review: Non-Stop Lurid Entertainment Rides the Charisma of Its Stars

Omen Review: An Assured Debut That Never Falters in Ambition or Surprise

The People’s Joker Review: Superhero-Skewering Satire is Miraculous in Multiple Ways

Features

NYC Weekend Watch: Love Streams, Kiyoshi Kurosawa, Ozu & More

New to Streaming: Dune: Part Two, Hundreds of Beavers, Problemista, Immaculate & More

The Best Movies Now Playing in Theaters

Interviews

Frederick Elmes on John Cassavetes’ Infectious Confidence, Imitating Sven Nykvist, and Ang Lee’s Hulk

Becoming the Beast: George MacKay on Fighting for Bertrand Bonello’s Film, Learning French, and Modern Incel Culture

“I’m Not an Actor”: Léa Seydoux on Her Creative Self and False Public Perception

Podcasts

The B-Side – Robert Redford (with Blake Howard)

The Film Stage Show Ep. 534 – Monkey Man (with Jenny Nulf)

The B-Side – In Conversation with Larry Fessenden

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