The Film Stage - Page 147

A24 to Restore Jonathan Demme’s Stop Making Sense in 4K for Worldwide Theatrical Release

While David Byrne didn't nab his second Oscar due to the powerhouse that was RRR, one imagines he's in good spirits being part of a film that swept the ceremon...

Boston Strangler Review: Keira Knightley Shines in Workmanlike Procedural

In the early 1960s, 13 women were murdered around the Boston area. Most were strangled with their own nylon stockings, leading the press to dub the murderer th...

First Trailer for Matt Johnson’s BlackBerry Restages the Birth of the First Smartphone

In the hands of anyone else, a movie about the birth of a technological innovation that reshaped culture may seem like a simple knockoff of The Social Network ...

The Innocent Review: Louis Garrel Crafts a Charming Rom-Com Caper

Eternally the rebellious loverboy of the Sarkozy era, Louis Garrel, now at 40, is seemingly easing into an elder statesman role. No longer too brooding a prese...

SXSW Review: Down Low is a Forced and Mismatched Gay Sex Comedy

Down Low desperately wants to be funny and push boundaries. You can see it straining from the very beginning, when Cameron (Lukas Gage), a gay and Gen-Z masseu...

Full River Red Review: Zhang Yimou’s Breezy Blockbuster Blends Comedy and Suspense

Named after one of China's most famous poems––one the film says the nation can still recite by memory today––Zhang Yimou's Full River Red takes us back to the ...

Rodeo Review: Lola Quivoron’s Motocross Drama Stalls Out

It’s as well-worn a trope as any in the coming-of-age genre: the elusive, underground subculture that draws in a young protagonist, whose discovery of this wor...

The Criterion Collection’s June Lineup Includes Pasolini, Barry Jenkins, and Renoir & Gilliam in 4K

Following word of an incredible Pasolini boxset, the Criterion Collection have unveiled their larger June lineup. The 4K rollout continues apace, and for some ...

Quentin Tarantino Has Reportedly Scripted His Final Feature The Movie Critic

The news of Quentin Tarantino's final film has been awaited some time, and he's done seemingly everything––start a podcast, nearly direct episodes of Justified...

Raging Bull 4K Restoration Trailer: Martin Scorsese’s Boxing Masterpiece Returns to the Ring

While we await official confirmation that Martin Scorsese's highly anticipated Killers of the Flower Moon will indeed bow at the Cannes Film Festival, it's not...

News

MUBI’s May 2024 Lineup Features Radu Jude, Bertrand Bonello, Lee Chang-dong & More

David Lynch Debuts New Remix — Listen

Eliza Hittman Sets Fourth Feature with MOTHERLOVE

Trailers

New Trailer for 4K Restoration of Time of the Heathen Captures a World After the Atomic Bomb

Jia Zhangke and Bi Gan Voice a Coming-of-Age Tale In Exclusive Trailer Debut for Liu Jian’s Art College 1994

Kiyoshi Kurosawa Covers Classic Terrain In First Trailer for Serpent’s Path

Reviews

Challengers Review: Non-Stop Lurid Entertainment Rides the Charisma of Its Stars

Omen Review: An Assured Debut That Never Falters in Ambition or Surprise

The People’s Joker Review: Superhero-Skewering Satire is Miraculous in Multiple Ways

Features

NYC Weekend Watch: Love Streams, Kiyoshi Kurosawa, Ozu & More

New to Streaming: Dune: Part Two, Hundreds of Beavers, Problemista, Immaculate & More

The Best Movies Now Playing in Theaters

Interviews

Frederick Elmes on John Cassavetes’ Infectious Confidence, Imitating Sven Nykvist, and Ang Lee’s Hulk

Becoming the Beast: George MacKay on Fighting for Bertrand Bonello’s Film, Learning French, and Modern Incel Culture

“I’m Not an Actor”: Léa Seydoux on Her Creative Self and False Public Perception

Podcasts

The B-Side – Robert Redford (with Blake Howard)

The Film Stage Show Ep. 534 – Monkey Man (with Jenny Nulf)

The B-Side – In Conversation with Larry Fessenden

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