Prismatic Ground is becoming a must-attend filmmaker-centered showcase on the rise for underground documentaries, avant-garde, and experimental cinema in the h...
Late into Bianca Lucas’ feature debut, a character ventures a few verses: “Listen to the moan of a dog for its master / That whining is the connection / There ...
After exploring the history of the Velvet Underground, Todd Haynes is returning with his first narrative feature since 2019's severely overlooked Dark Waters t...
As engaging and impressive a documentary as you're going to see, 32 Sounds starts with a kind of obvious––yet eminently under-asked––question: why do most of u...
In August 2011, The Guardian ran a two-page spread that wound up christening a brand-new cinematic movement. Written by Steve Rose, “Attenberg, Dogtooth, and t...
Nearly as large as Blood Meridian's literary reputation is the notoriety of many, many failed adaptations that have claimed the likes of Ridley Scott, James Fr...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Japan SocietyOne of Japan's greatest directors, Shinji Somai, is subject of a retrospective...
Follow French actors on Instagram, is the rule. Not even two weeks after Damien Bonnard let a clapperboard announce his involvement in Kiyoshi Kurosawa's Serpe...
After half-a-decade break since The Favourite, Greek filmmaker Yorgos Lanthimos is returning with two new films. First up is Poor Things, which brings together...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...