When Rigoberto Duplas, the worrying conceptual artist and antagonist of Amat Escalante's new film, tells Emiliano, our steadfast lead, that the cheap glass in ...
A child conceived when Killers of the Flower Moon's first still debuted––that was May 10, 2021––could now walk, or at least waddle. It's a fine image, unambigu...
Welcome to The B-Side, from The Film Stage. Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they ma...
One of the highlights from this year's SXSW is arriving next month. Ted Geoghegan's Brooklyn 45, starring Anne Ramsay, Ron E. Rains, Jeremy Holm, Larry Fessend...
In a tentpole landscape painfully barren of original stories, we've been long-anticipating Gareth Edwards' first original film since his debut Monsters. After ...
New approaches to cinema are few and far between––as rare as a ticket to the lone Killers of the Flower Moon press screening at the 76th Cannes Film Festival––...
One of the great Brazilian directors working today, Kleber Mendonça Filho's recent epic Bacurau was unfortunately thwarted in its U.S. release, coming out as t...
After being crowned the summer blockbuster king last year, Tom Cruise is back to reclaim his title. While we're looking forward to a few other July tentpoles f...
Nine years after Zachary Wigon's feature debut The Heart Machine, the writer-director returns with another lean thriller, again with elements of romance and co...
It’s clear from the opening moments why the narrative feature debut of Kavich Neang, finally arriving in the US nearly two years after its 2021 Venice premiere...