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[Review] Prometheus

It’s hard for any director to return to the genre that once heralded their filmmaking bravado as revolutionary. Yet it's something we as audiences crave, especi...

[Review] U.N. Me

The concept of the United Nations has long been a bit of a romantic idea. Born out of the chaos that was World War II, it was established to protect internation...

[Review] Snow White and the Huntsman

What happens when a fairy tale depicting an innocent princess saved by a litany of characters on her way to the crown turns into an epic battle with a heroine i...

[Review] Oslo, August 31st

Anders (Anders Danielsen Lie) marches through the forest, his famished-looking frame shrouded by the brittle branches imposing his personal space. As he approac...

[Review] Polisse

It seems odd that there should be anything left to be said in a movie about cops. It seems as though the cinematic landscape has been saturated by police office...

The Best of Cannes Film Festival 2012

This year's Cannes Film Festival was a flurry of cinematic diversity. From super serious art-house films to the lighter fare that Hollywood is more akin to,...

[Cannes Review] Post Tenebras Lux

In Carlos Reygadas' Post Tenebras Lux, a Latin phrase which translates roughly to "light after darkness," the Mexican filmmaker continues to channel his tradema...