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[TIFF Review] Inch’Allah

It's truly amazing to watch how guilt, regret, and sorrow can change the very make-up of your character. It may only be for a brief while, but that moment can i...

[TIFF Review] When I Saw You

Leave it to writer/director Annemarie Jacir to make an American more or less indoctrinated to side with the Israelis in the war for the Holy Land see her people...

[Review] [REC] 3: Genesis

When zombies first shuffled onto the screen in George Romero’s Night of the Living Dead, it was left unclear just how the dead came to rise again. Many theories...

[TIFF Review] Shores of Hope

It's East Berlin, 1984—an entire nation under the Stasi's watchful eye. Freedom is near impossible without risk of arrest or bullet courtesy of a botched escape...

[Review] For Ellen

Looking to reconcile her feelings about being a successful parent, wife and filmmaker with her child turning two, writer/director So Yong Kim decided to delve i...

[Review] Girl Model

Documentaries find success through compelling stories. Whether a salacious expose on an industry many looking in don't understand or a stirring rags-to-riches t...

The Film Stage Show Ep. 21 – Lawless

Welcome to the latest episode of our official podcast, The Film Stage Show. This week staff writer Danny King, associate editor Nick Newman, and I wonder ov...

[Review] Lawless

Lawless is the first John Hillcoat picture one could describe as fun. The director's two previous pictures -- his satisfying adaptation of Cormac McCarthy's The...

[Review] The Ambassador

Did you ever wonder what a guy like Sacha Baron Cohen could accomplish if his satirical bent towards political upheaval had more than cheap laughs as its goal? ...