Belgian writer-director Joachim Lafosse, in dramatizing the horrific real-life story of Genevieve Lhermitte, makes a profoundly important decision by beginning ...
An R-rated comedy shouldn’t possess a PG-rated heart. This is We’re the Millers’ main problem because while the profanity-laced adventure has a ton of laughs, o...
The horror genre has become pretty crowded the last few years with way too many remakes and sequels that never live up to the originality of vision or socio-pol...
Welcome to the latest episode of our official podcast, The Film Stage Show. This week, associate editor Nick Newman, writer Danny King and I discuss two bra...
If Nisha Pahuja's documentary The World Before Her is correct, India is at a very important crossroads in its history. Half the country is steeped in orthodox H...
The big budget sci-fi action spectacle Elysium, written and directed by Neill Blomkamp and starring Matt Damon, serves as a master class in how to make stupid l...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
Screening The Smurfs 2 on the day of Ariel Castro’s sentencing, the film took on a whole aura of disturbing; we follow a smurf-napping of little blonde Smurfett...
By now, it’s fairly well understood that science fiction films, which were once among Hollywood’s most lucrative, beloved, and acclaimed productions, are somewh...
With a seemingly endless amount of streaming options -- not only the titles at our disposal, but services themselves -- we believe it's our duty to highlight ...