It is, knowing Bruno Dumont, almost certainly a joke to have the premiere French actress of our time play a crisis-stricken character named France, but I don't...
Some years since Cemetery of Splendour has Apichatpong Weerasethakul returned, this time under two unusual conditions: in English and with a movie star before ...
Justin Kurzel doesn't make it easy. Notwithstanding the oddity that is his Assassin's Creed movie, the Australian auteur has distinct eyes for horrors—so we se...
Few films in Cannes, competition or otherwise, have us excited like Arnaud Desplechin's Deception, the director's adaptation of Philip Roth's erotic, dialogue-...
Brief but stirring, vague if not for lack of worthwhile images, here's the first teaser for Ahed's Knee, the new film from Synonyms director Nadav Lapid. Littl...
Following his live-action/animation hybrid The Congress in 2013, Waltz with Bashir director Ari Folman is finally returning this year with his long-awaited pro...
If, initially, I am not quite sure what to do with the knowledge that Val Kilmer has "amassed thousands of hours of footage" shot over 40 years, my being nonpl...
If the list of great and notable directors with whom Charlotte Gainsbourg's collaborated is longer than my arm, new, one wonders why it took this long for her ...
Another week passes, another (likely) excellent Hong Sangsoo film premieres. Just five months since Berlinale selection Introduction will the South Korean mast...
A24 will be bringing a number of anticipated films to Cannes Film Festival––Sean Baker's Red Rocket, kogonada's After Yang, Joanna Hogg's The Souvenir Part II,...
