What's harder to believe: an intergalactic battle over kingdoms and spice some 10,000 years hence or a theatrical-only release for Denis Villeneuve's Dune? By ...
We have been crazy about Tsai Ming-liang's Days for quite a while—premiering at Berlin 2020, which will go down as the last gasp of film culture as we knew it ...
It was frightening, concerning, altogether thrilling when the Jackass gang performed stunts—or direct acts of masochism; six of one, half dozen of another, etc...
Four years after All the Money in the World—two lifetimes by his current production rate—Ridley Scott has two coming down the pike this fall. One seems to be a...
A highlight at this year's mostly online Sundance Film Festival earlier this year, Jonas Poher Rasmussen's Flee picked up the Grand Jury Prize and now ahead of...
Few documentaries made an impact at Sundance comparable to Sabaya—it did win their World Cinema Documentary Directing Award, after all. Which surely played no ...
In the sea (one might say glut) of contemporary animation—a form that, by its very nature, is most often supported by the ever-watchful eye of major studios—br...
Pablo Larraín is gearing up for a major second half of 2021. At long last, his dance/relationship drama Ema will arrive next month (more on that later) and the...
After jumping into English-language work with the star-studded western The Sisters Brothers, Jacques Audiard is returning to his native country with a new dram...
Yet another Berlin 2020 title finally making its way to the world, Eyimofe (This Is My Desire) arrives with some lofty expectations—it is, after all, a Ja...
