It's hard to believe the fall festival season is right around the corner: Venice and Telluride kick off next week, followed swiftly by Toronto, NYFF, and more....
It's not at the scandalous level of its poster—so long as Instagram doesn't have anything to say about it—but a Pedro Almodóvar preview gets eyes, lactation or...
An especially prolific few years for Paolo Sorrentino have yielded a return to roots—so's the word on The Hand of God, a Netflix-backed production set in the d...
Comparisons abound—Frances Ha and Eric Rohmer seemingly closest at hand, Martín Rejtman if you want to dig a bit deeper—but it's the pleasure of discovering a ...
One of the most inventive, stunningly nightmarish animations of the last decade, The Wolf House was the work of Chilean filmmakers Cristobal León and Joaquín C...
One of the most ravishing films I've seen thus far this year is Jessica Beshir’s feature debut Faya Dayi, which explores the Khat trade in Ethiopia. Shot in be...
From Alien to MASH to Contact to Harold and Maude to Top Gun, Tom Skerritt has impressed with numerous supporting turns as one of Hollywood's preeminent charac...
Passing away in April of last year, Japanese director Nobuhiko Obayashi left behind a surreal, fascinating body of work. While he was most known for his Criter...
Spike Lee's best film this century is not 25th Hour; it's not Inside Man; I'll defend Oldboy but, come on; it's definitely not American Utopia; and whatever a ...
Joel Coen and Steven Spielberg aren't the only filmmakers drawing from William Shakespeare as of late. Matías Piñeiro, who has playfully done so for much of hi...
