One of the most-acclaimed premieres of last year, so much so that it landed in our top 25 films of 2023 despite not even getting a U.S. release yet, Radu Jude'...
I entered Asphalt City at last year's EnergaCAMERIMAGE festival with nothing but morbid curiosity. Having engendered some rank responses from its Cannes premie...
Almost certainly settling what'll be the greatest animated feature to play theaters this year, GKIDS will grant a new release to The End of Evangelion, Hideaki...
One of the most singular viewing (and listening) experiences of the year, the documentary The Tuba Thieves explores what it means to listen and how sound––part...
Originally set for a release last fall, Luca Guadagnino's Challengers was delayed to this April due to the strike, a move which now affords them some promotion...
If you haven't been following him on Twitter, David Krumholtz has been one of the very few reasons to stay up to date on the happenings of that godforsaken sit...
One of the most promising American indies of the year, Ryan Martin Brown's Free Time brings together Colin Burgess, Rajat Suresh, Holmes, James Webb, Eric Yate...
After dividing audiences with Men, Alex Garland is back with what looks to be his most ambitious directorial outing yet. Civil War, which follows a divided, ne...
There's last will and testaments, and then there's Ryuichi Sakamoto | Opus, for which the musician and composer (for whom adjectives are sometimes adequate) en...
At the end of last year we learned that Film Movement picked up four new 4K restorations of the films of Lee Chang-dong: Green Fish (1997), Peppermint Candy (1...
