One of the more affecting films I saw at Sundance Film Festival earlier this year was Isabel Castro's debut documentary Mija, which takes a poignant and person...
Written, directed, and led by James Morosini based on his own experiences, I Love My Dad was a cringe comedy hit at SXSW earlier this year and now it's set to ...
After breaking out with her fantasy horror musical The Lure, Polish director Agnieszka Smoczyńska helmed her English-language debut with The Silent Twins, a Ca...
While Jaume Collet-Serra has excelled in providing a genuine Hitchcockian vision to B-movie concepts in the last decade before getting sucked into the Disney m...
Lodge Kerrigan's Keane has languished on DVD for the better part of 20 years—exactly the environment that makes it the rare modern(ish) film we might call a cu...
This August is the month of Aubrey Plaza. Just a week after her crime drama Emily the Criminal arrives in theaters, her comedy Spin Me Round will debut. The SX...
One of the major titles premiering at the Locarno Film Festival next month is the latest feature from Russian director Aleksandr Sokurov (Russian Ark, Mother a...
Breaking ground as the first feature-length documentary to be filmed entirely in virtual reality, Joe Hunting's We Met In Virtual Reality was a highlight at Su...
Diving deeper into dramatic territory, Aubrey Plaza leads the new crime thriller Emily the Criminal, which premiered at Sundance Film Festival earlier this yea...
A major highlight of Sundance and Berlinale earlier this year, A Love Song is a quaint drama of raw emotion. Max Walker-Silverman's directorial debut follows D...
