Much of the world learned of the talent of Ryusuke Hamaguchi when Drive My Car miraculously and deservedly was nominated for multiple Oscars, including Best Pi...
Before Kristen Stewart and Robert Pattinson's romance for the ages––and before there was Paul Newman, Susan Sarandon, Gene Hackman, and Reese Witherspoon's 199...
Wes Anderson has kept busy the last few years. While putting the finishing touches on The French Dispatch as the pandemic hit––causing the film's delay for ove...
With a career resurgence thanks to First Reformed, Paul Schrader decided to form a trilogy (and perhaps beyond) of like-minded character studies. His third out...
There are very, very few filmmakers who've rethought and shaken possibilities for the moving image as much as Harvard's Sensory Ethnography Lab, whose résumé––...
Delivering one of the best monster movies of the past decade, Hideaki Anno's 2016 Shin Godzilla outpaced any of Hollywood's output with the creature as of late...
While we've been receiving vital cinematic dispatches from the frontlines of Ukraine's ongoing battle against Russia, this week another look at the country's h...
The wait for a new Cristian Mungiu feature sure isn't short––between 4 Months, 3 Weeks, and 2 Days he's averaging about one every five years––but nobody, as sc...
In an especially appreciated instance of ask-and-you-shall-receive (and plainly great day for enthusiasts of five-hour Finnish cinema) the World Cinema Project...
One of the most tender, accomplished films of the year is Rebecca Zlotowski's French drama Other People’s Children. Featuring Virginie Efira's best performance...
