What do films like David Cronenberg's Crash, Jonathan Glazer's Sexy Beast, Jerzy Skolimowski's Sexy Beast, Jerzy Skolimowski's EO, Jim Jarmusch's Only Lovers L...
Set for a PBS world premiere on September 18, Rodrigo Dorfman’s new documentary Bulls and Sants is a richly captured portrait of a migrant family’s life in the...
Bringing two projects to Toronto International Film Festival (and likely would've been a trio if a certain film didn't get delayed), Colman Domingo is poised f...
Kristen Roupenian’s New Yorker story about a date gone horribly awry lit a short-lived fire of discourse surrounding gender and power dynamics. Five years late...
Most lists of the greatest long takes don't deviate: Goodfellas, Russian Ark, Touch of Evil, Rope--you know the drill. In a perfect world those rankings face a...
Quite the formidable screen pairing, Paul Mescal and Saoirse Ronan lead what sounds like Garth Davis' most compelling film yet. As co-scripted by I'm Thinking ...
One of the more purely pleasurable films I saw at Sundance Film Festival earlier this year was the latest from Once and Sing Street director John Carney. Flora...
Following his epic Bacurau, Brazilian director Kleber Mendonça Filho returned to Cannes Film Festival this year with Pictures of Ghosts, a bittersweet, fascina...
The same month Roger Ross Williams premieres his new documentary Stamped from the Beginning at TIFF, his first feature of the year will arrive across the world...
One of the most intriguing, well-accomplished debuts I saw back at New Directors/New Films in 2018 was Yui Kiyohara's mysterious drama Our House. The Japanese ...
