One of the best things about As They Made Us, written and directed by Mayim Bialik, is its pronounced lack of judgment. An indie dramedy heavy on the drama, Bi...
There hasn't been a "battle of the bands" since an unfortunate scrotal incident scarred many a teen not expecting nudity a few years back, but the mere mention...
The Marvel machine may be the most fortuitous development for Michael Bay. Though the director hasn’t dabbled in the world of superheroes—despite a fondness fo...
A lot of things helped make this past Oscars ceremony an infamous affair—the most innocuous being the addition of two online popularity contests seemingly devo...
Dolly Parton was everywhere at SXSW, from her documentary Still Working 9-5 to her collaboration with Blockchain Creative Labs which involved both a well-recei...
An authorized but often unflattering portrait of rapper Jahesh Dwayne Ricardo Onfroy, known as XXXTentacion, Look at Me is a comprehensive study of his career,...
Two years into the pandemic, filmmakers will either ignore our current reality entirely, subtly weave it in (such as the latest from Ryusuke Hamaguchi and Joac...
So here we are: another entry in Sony's not-quite MCU, not-quite Spider-Man multi-villain series following the two oddly (but rightly popular) Venom flicks. Ba...
About halfway through director Jennifer Reeder and writer Brett Neveu's Night's End, a character explains to Ken Barber (Geno Walker) that the ghost haunting h...
A good deal more restrained and nuanced than The Craft and Carrie, Raquel 1:1 takes itself perhaps a little too seriously, presenting a rather straightforward ...
