Don’t Make Me Go matches John Cho with Mia Isaac for a father-daughter road trip across the states. From director Hannah Marks and screenwriter Vera Herbert, t...
Nobody in the Montana Territory circa 1881 watches a former slave like Cicero (Isaiah Mustafa) walk into town without keen interest. That goes for friends and ...
Butterfly in the Sky, a documentary from Bradford Thomason and Brett Whitcomb, revisits the impact of Reading Rainbow and its host, LeVar Burton. For 23 years ...
Despite its generic title, B.J. Novak’s feature-directing debut Vengeance is a smart, subversive fish-out-of-water comedy about a stereotypical coastal elite t...
What better setting for a Biblical apocalypse than an XXX novelty shop with peep show booths picketed by religious zealots who, more often than not, protest as...
Considering comedy is entirely subjective and in the eye of the beholder, I suspect fans of the comedians in Sarah Adina Smith's The Drop––allowed free reign t...
Roger Ebert once said movies are like a machine that generates empathy. Such is the third feature by Frank Berry (Michael Inside, I Used to Live Here). Followi...
Despite the rich texture of its late-1970s setting—the beginning of the latch-key kid era—Scott Derrickson’s The Black Phone fails to transcend its central pre...
After two impressive features—visually stunning Malickian riffs The Better Angels and Age Out, which married that director's accomplished visual style wi...
As complex and conflicted as the man himself, Rudy! A Documusical––which premiered on the same evening as the first primetime January 6 hearing––never quite kn...
