Peter Farrelly’s career is a fascinating example of a director whose brand of cinema became completely out of vogue after following a major American political ...
It's the New Dark Ages and the world has devolved to mimic a YA novel's class system with the poor left to fend for themselves in desolate wastelands while the...
2022 has been the year of the big-screen romantic comedy resurgence. But while audiences may have been reminded of the joys of the high-concept, star-driven ge...
There are types all over Rodrigo García’s Raymond & Ray. There’s Raymond (Ewan McGregor), the more stuck-up type who only wears business-casual. There’s Ra...
Horror movies, like documentaries, have a knack for rolling the cameras whenever tragedy strikes. It didn’t come as much of a surprise when, mere months after ...
If your thirst for movies about the sexual awakening of French-speaking nuns wasn’t quenched by Paul Verhoeven’s Benedetta, take a look at Thunder, a gorgeousl...
Any movie about the value of movies should be met with a healthy level of skepticism. There’s the obvious amount of self-satisfaction involved (maybe it’s just...
It comes as no surprise to see a film like The Menu come out of a major studio like Searchlight Pictures. Populism has been around for a good while, but it’s h...
There's a crucial point of clarity in the director's notes for The Justice of Bunny King wherein director Gaysorn Thavat admits one of her goals for the film w...
Miami kingpin Estelle (Kate Bosworth) is looking for insurance. Not because she doesn't trust her usual muscle Cuda (Antonio Banderas) anymore, but because she...
