Weekend opens with a simple premise: Russell (Tom Cullen) is alone. His life is static. The opening moments establish the lyrical qualities of the film. He pa...
Self Made is the feature film debut of Gillian Wearing, an artist who emerged in the unofficial movement (yet branded by the international art world) YBA, or Yo...
For ambiguous reasons a man doesn’t take to the sea, but exiles himself besides the sea. Josh Lucas plays an unnamed man, credited as “Young Mariner” in A Yea...
Watching Generation X turn 40, facing the consequences of a drop-out lifestyle lies a contradiction. How to you keep your edge while putting food on the table...
Problematic is any new film technology as its use becomes more pervasive, limits and controls are found as its boundaries are pushed. The advent of the Red One,...
Here in the United States the phrase "sexual harassment" generally makes one think of the kind of office-set scandals that plaster tabloid pages and are fea...
The feature film debut of Norwegian director Anne Sewitsky promises to be a "comedy about infidelity, moose meat, blowjobs and cottage cheese," but proves t...
In her first feature, documentarian Robin Hessman looks at Russia's 1990's reforms through examining the lives of five former classmates who came of age as ...
At Ellen's Age, the follow-up to South African-born director Pia Marais' award-winning debut The Unpolished, is an elegiac German drama that follows an unanch...
The feature debut of writer/director Rebecca Zlotowski, Belle Épine focuses on the coming of age story of an angry girl who wields sex like a weapon.
Léa S...
