Carlo Collodi’s The Adventures of Pinocchio is widely understood as an easily accessible coming-of-age metaphor—peeling back our childlike wonderment at the wo...
Robert Downey Sr.'s accolades and popularity pale in comparison to his son. While Downey Sr. focused on writing and directing underground cinema in the 1960s a...
“Can I quote you?” As it did throughout Jodi Kantor and Meghan Twohey’s intrepid investigative journalism for the New York Times, that question reverberates in...
Chinonye Chukwu’s Till finds the Clemency writer-director facing the story of Emmett Till, the 14-year-old boy lynched in 1955. More specifically the story of ...
After years of working with someone like Werner Herzog, it seems you deserve some rest—especially after films as spectacular as Aguirre: The Wrath of God and F...
Some wounds don't heal. Not with time. Not with a mythical lake of water with the power to mend all ailments. And while we can try to forget, the mind will alw...
Note: The following review contains spoilers for Halloween Ends.
This time last year, while doing press for his rather dreadful Halloween Kills, director Da...
The films of Cartoon Saloon have an inherently folkloric quality, often feeling like tales that have been passed down through centuries—even if they are boldly...
In the tradition of Okja and Hail, Caesar!, writer-producer-director Joanna Hogg has gifted the world with two Tildas (Swinton, that is) in one film. Just shy ...
There are many films that start with a bang and many that climax at the end. There are fewer that wow with a deliberately calibrated, orgiastic halfway mark. T...
