Despite the intentions of any director or director of photography, the person with the final say in how a film will look when screened for an audience is the p...
A departure from Cirque du Soleil’s previous theatrical features (2012’s Worlds Away and the 2000 3D IMAX short Journey of a Man), Dawn Porter’s Cirque du Sole...
There’s a common view that one needs distance and perspective to truly process and reconcile current events before making a worthwhile film on any particular s...
A comprehensive, personal, and kaleidoscopic look at representation, Elvis Mitchell’s Is That Black Enough For You?!? is a passionate and loving walk through f...
“This one’s a little different” is what every critic trots out while reviewing a new Marvel movie, as if they’re not all running the same plays to inevitable e...
A meditation on growing old, growing wiser, and all of life’s transitions, Ralph Arlyck’s personal documentary I Like It Here is a warm, witty, loose, discursi...
You sometimes have to ask yourself why certain films are worthy of a competition slot at a major festival. If a certain set of themes and aesthetics are requir...
Christine's (Eva Green) perfect life comes crashing down with a phone call on what should be the best day of her professional career. A children's clothing fas...
Sometimes tragedy begets opportunity. Case in point: Henry Selick's The Shadow King being unceremoniously scrapped by Pixar. It was supposed to be his follow-u...
The mark of any successful directorial debut is whether you can find the makings of a distinctive authorial voice underneath various layers of homage to the ob...
