There's a bravado throughout G.I. Joe: Retaliation that never quite rings true. As much as they talk it up, it's more of a rooster's plumage than reality. "Roar...
Thrillers with a bit of amorality at their center are always a welcome treat when Hollywood seems too quick to make theirs possess ironclad happy endings. The t...
Artistic integrity -- is it a dying concept or has the definition simply changed? As a freshman in college I began admitting to anyone who asked my major that p...
I should sue TV pitchman Vince Offer for false advertising: a comedy implies humor and potentially laughter, yet not one laugh is found within easily the worst ...
Olympus Has Fallen is a TNT movie, but the best of its kind: one that knows exactly what it is. Director Antoine Fuqua seemingly tailored his heavy-duty actione...
There is genuine heart and an intriguing theme inside of The Croods, the latest from DreamWorks Animation. Directors Chris Sanders and Kirk De Micco have an odd...
Bolstered by a script ranking number three on the 2010 Brit List—a film industry tabulation of the best unproduced British screenplays—Eran Creevy's Welcome to ...
A film can be knocked off track by its main characters. Even a powerful message and an interesting exploration of an idea can’t overcome protagonists that you r...
Grow Up, Tony Phillips, the latest film from young writer/director Emily Hagins has a suffocating charm, something that comes as both a praise and a criticism. ...
“When it comes to punk:, New York has the haircuts, London has the treasures, but Belfast has the reason, ” Terri Hooley remarks in Good Vibrations, the latest ...
