Inventive science-fiction films are very difficult to pull off, even more so when working with a small budget and limited resources. That didn't stop director W...
Nostalgia can be an unwieldy tool in the world of filmmaking. Few features manage to effectively capture the charms of a certain time period, either going overb...
Written and directed by Ron Krauss, Gimme Shelter is an example of a faith-based, pro-life film done right. Often I’ve taken issue with faith-based cinema that ...
During White Bird in a Blizzard, our lead Kat Connors (Shailene Woodley), is browsing records with a friend (Gabourey Sidibe) and a poster for David Lynch's deb...
When a film follows a despicable character acting out despicable things, it takes a careful balance in both the direction and the writing to give an audience an...
There's a noble attempt in Camp X-Ray, written and directed by Peter Sattler, to make a war movie that's about individuals rather than ideals. Set in Guantanamo...
In 2013 we got a romance-tinged take on the zombie genre with Warm Bodies and this year's Sundance Film Festival brings a smaller-scale, independent effort also...
Deep within the tumultuous, creative mind of musician Willis Earl Beal (played by the real-life musician of the same name) is where writer/director Tim Sutton's...
The Zellner brothers are Sundance darlings, having had several short films and their last two features appear at the festival. This year they are back with Kumi...
The driving force behind the very clever two-handed chamber piece The One I Love is communication. How we talk to those we love and those that love us. Mark Dup...
