Margaret Brown’s The Great Invisible is often a frank reminder of what George W. Bush once said: “America is addicted to oil.” Exploring the event and aftermath...
Children are our legacy—our immortality. We sacrifice everything to raise them in our image, hoping for the best until they're set free as fully formed adults r...
When one reads a synopsis for the late Nobel Prize-winning author José Saramago’s The Double you’ll find a very straightforward tale of doppelgangers. There’s t...
With Sound of My Voice, Martha Marcy May Marlene, The Master, and more, filmmakers' fascination with cults seems to have hit a surge as of late, particularly ex...
Housebound takes the sealed bottle horror genre and waltzes right up to it, telling it that everything you expect, the characters expect as well, and lets thing...
Nothing indicates the evolution of independent found footage horror more than the camera. In 1999, the sub-genre's granddaddy, Blair Witch Project, was shot wit...
Feeling refreshed and shocked are durable signs that a comedy has delivered, but most of all, one wants laughs. As subjective as that factor may be, director Ni...
Honeymoon is a kind of Trojan horse; going in cold and not knowing that its playing in the “Midnighters” section of SXSW, you’d think you were in just another f...
Perhaps like the key demographic for DreamWorks' latest animation, I must begin by admitting I had been unfamiliar with the source material, Peabody’s Improbabl...
We all know our own flaws, but change can be so devastatingly difficult to accomplish that it can haunt some people. Whether it is alcoholism or other kinds of ...
