Reviews

[Review] This Is Where I Leave You

This Is Where I Leave You is Franny and Zooey meets The Big Chill. Before one starts throwing accusations of hyperbole, hold on a second and let me explain. Jon...

[TIFF Review] Still Alice

What Still Alice posits on the most basic level about its title character’s decline is profoundly counterintuitive. Highly intelligent people, Alice’s doctor su...

[TIFF Review] From What Is Before

Depending on your attitude, the 5-hour, 38-minute length of Lav Diaz’s From What Is Before might represent a handicap in its favor, or a demerit. A certain stri...

[Review] Ai Weiwei: The Fake Case

Ai Weiwei: The Fake Case is a rare and intimate perspective on the artist and political figure. Directed by Andreas Johnsen, the documentary follows the globall...

[TIFF Review] Wild

There are at least two problems with the phrase “self-discovery”: a) the idea that discovering the self is a discrete act; b) the idea that the self is a discre...

[Review] The Frontier

Despite an opening suggesting we’re in for a meticulous modern Western, The Frontier, directed by Matt Rabinowitz, embodies the mood, atmosphere and longing fou...

[TIFF Review] It Follows

A teenage girl, captured through a static wide shot, runs through a quaint Detroit suburb, her body dwarfed by its trees and middle-class homes. The sense that ...

[TIFF Review] La Sapienza

La Sapienza opens with a montage of Italy’s greatest architectural wonders -- cathedrals, domes, churches, and more shot in perfect lighting, propelled to grand...

[TIFF Review] Far From Men

Writer/director David Oelhoffen has a special film on his hands because it's powerful tale begs audience members to learn more about the subject. I'm not talkin...

[TIFF Review] The Riot Club

I’ll bet Laura Wade’s 2010 play Posh is something special to see on stage. A fictionalized take on Oxford University’s exclusive Bullingdon Club, it’s debaucher...