If Kevin Hart ever makes a sequel to his concert film Let Me Explain, I hope he explains the circumstances behind his latest effort, The Wedding Ringer, an inco...
When Michael Bond’s beloved creation Paddington first showed up in children’s books in the 1950’s, he was sitting there in the train station he’s named after, w...
When Desiree Akhavan first appears onscreen in her feature debut Appropriate Behavior, one thing is for sure: she's a stunner. With a statuesque figure, dark ca...
Oscar-nominated producer (for The Full Monty) Uberto Pasolini's second film as writer/director isn't easily categorized. Aptly labeled with the hybridized compr...
Tucked away in a screen at your local multiplex you’ll find another feature film, all be it not an Oscar prestige drama, tackling another contemporary issue hea...
Is there a way for a village to get wiped out—buildings and people—and still ensure the dogs are safe? No. So why do Michael Mann and Morgan Davis Foehl write B...
Like filmmakers before him who have crafted works expressing the fears and anxieties surrounding Y2K (Wong Kar-wai, David Fincher, and Gary Burns spring to mind...
The saying “it is what it is” comes to mind when describing Taken 3. While that's certainly a cop-out in film criticism, unlike the thrillers that promise thril...
Don’t let the generic title fool you. Paul Harrill’s Something, Anything gently tells its story through detailed specificity. One might not be able to place the...
There is much talk about whether Li’l Quinquin, the latest from Bruno Dumont (Camille Claudel 1915, L'Humanité, Flandres) is a TV series or a film. It was commi...
