Reviews

[SXSW Review] The Invitation

When you play in the midnight slot of a film festival nowadays, audiences can expect something to go horribly wrong within the world of the movie. So going into...

[Review] Zombeavers

Right from the start of director Jordan Rubin's Zombeavers, the film scores points for originality. Its horror-comedy tone is familiar, but not until 2015, some...

[ND/NF Review] The Fool

By now, the lengthy following shot to open a film is an art-house approved cliché. But in The Fool, Yuri Bykov complicates the shot in a way that makes it feel ...

[ND/NF Review] K

For Franz Kafka, The Castle is about the plight of the individual within oppressive societal customs and the absurd attempt to reach an unattainable. Michael Ha...

[ND/NF Review] The Great Man

A Great Man is divided up into five chapters, the first four of which trace the latter half of the first chapter’s “Hamilton and Markov” duo, while the final, f...

[ND/NF Review] Fort Buchanan

To the right crowd, there are a lot of familiar faces in Benjamin Crotty’s Fort Buchanan, a look into the life of a number of mostly-sexually frustrated army sp...

[SXSW Review] We Are Still Here

Throwback horror film We Are Still Here never loses a sense of quiet fun running underneath it. Clearly a loving send-up to films of the past, writer-director T...

[SXSW Review] The Final Girls

Horror comedy has long been one of the most difficult genres mixes to pull off successfully. For The Final Girls, a high-concept meta riff on the slasher horror...

[Review] Insurgent

What’s left in the dystopia for audiences to discover? After The Hunger Games rejuvenated interest in a world broken at its very social foundations, turning on ...

[SXSW Review] One & Two

Low budgets don’t have to constrain a film, and a great example is the serene One & Two, which uses a small amount of locations and characters to bolster th...