With the recent Cate Blanchett-led tour de force that is Blue Jasmine and the delightful Midnight in Paris, Woody Allen has proven he still has the ability to p...
In the largely wordless opening of Gus Van Sant’s The Sea of Trees, a man (Matthew McConaughey) drives to the airport and leaves his car in the parking lot with...
"This is the oldest skull I have," says Hans Rudolph "Hansruedi" Giger, displaying his macabre prize as the Oscar he won for Alien sits off-camera, collecting d...
The eminently idiosyncratic films of Yorgos Lanthimos revile the societal constructs that stifle and pervert human interaction. In laying bare these structures’...
In what could also be described as a horror film, Welcome to Leith is a truly terrifying portrait of a small town of 24 residents that one day receives an unwel...
While fitting snugly in the overall cohesiveness of Philippe Garrel’s filmography, In the Shadow of Women nevertheless feels like a companion piece to its prede...
Seemingly drawing influence from Xavier Dolan’s Jury Prize-winning Mommy (but certainly not enough to be deemed overly derivative), Emmanuelle Bercot’s La tête ...
It's not often delays, financial dissolutions, and waning interest make a film better, but I don't want to know what Mad Max: Fury Road might have been without ...
Borrowing its title from Maya Angelou’s poem Nina Simone: High Priestess of Soul, Liz Garbus' What Happened, Miss Simone?, akin to her previous works, incorpora...
Confronting the memory, myth and legend of Beach Boys’ Brian Wilson, Love and Mercy, directed by Bill Pohlad is an often-heartbreaking watch, exploring Wilson’s...
