If it is by now redundant to say that Thai filmmaker Apichatpong Weerasethakul (who understands pronunciation troubles and insists people call him “Joe”) is tru...
We’ve heard it many times before: back in the '50s and '60s, Alfred Hitchcock was considered just a vulgar entertainer, making box-office hits for the unwashed ...
In many ways, a friendship is more difficult to navigate or justify than a romantic relationship. Romance is a singular event, confined to a single person at a ...
Seeking to bridge the divide between contemporary filmmaking and Native American spiritualism, writer/director Sterlin Harjo's Mekko provides a tale of redempti...
It’s always been easier to review Tsai Ming-liang’s films than to make sense of them. Characterized by an often impenetrable language of silence and immobility,...
A partial return to form for director Atom Egoyan comes in this Christopher Plummer-starring geriatric revenge thriller – Nazi hunting for the Best Exotic Marig...
Italian filmmaker Roberto Minervini has long held his ever-fascinated gaze on America's unwanted, isolated or forgotten people. Last year, he finalized his Texa...
If director/co-writer Sebastian Schipper wanted, he could have easily turned Victoria into a first-person adventure through the streets of Berlin. It practicall...
The town of Bobbio, in central Italy, often recurs in Marco Bellocchio’s history, in the same way that the 17th-century episode of the ‘nun of Monza’ (whose aff...
Interpretative dance is not something to be lightly taken. You either have the propensity to let it wash over you in its loose gyrations of emotional expression...
