The Family Fang provides fuel for a future auteur study of its director Jason Bateman: haunted by his past as a child actor, his work in front of and behind the...
Near the beginning of Evolution, there’s a shot that hangs underwater, showing a seemingly harmonious aquatic eco-system that's glimpsed just long enough to cre...
“The only place I feel comfortable is the skatepark and the library.”
What has set cinema back -- both from the perspective of those who make, and those who ...
From the late 80’s until the early 00’s, Chinese cinema has been a mainstay at A-list film festivals worldwide, picking up trophies left and right. Things chang...
Filmmaker Steven Piet has worn many hats over the course of his short career. He served as the cinematographer and editor for the documentary Girl Rising, a loo...
Martin Scorsese made one of the first English-language (and one of the very first American) pushes for Hong Sang-soo by recording an introduction for the South ...
It’s worth noting that there’s probably a certain expectation when hearing the following words “a Johnnie To musical." One thinking his classical formal talents...
Before the German export Der Nachtmahr even begins, the viewer is presented with not one, but two warnings – the first concerns strobing, while the other points...
Writer/director Stephen Dunn's feature debut Closet Monster cares little about convention to tell the story of Oscar Madly (Connor Jessup) growing up with a psy...
A 40-year-old Japanese woman, Mizuki (Eri Fukatsu), begins to cook by herself, the audience assuming she’s a single career woman stuck in the middle of her dail...
