Alice Rohrwacher’s national background makes it understandable, albeit a bit too easy, for one to draw connections between her latest writing-directing effort, ...
There's no better hook for Colin Hanks' feature-length documentary about the rise and fall of Tower Records, entitled All Things Must Pass, then the opening lin...
It's probably because I know little about politics and care even less that I find most film's dealing with the subject matter enjoyable. George Clooney's The Id...
What a difference a year makes. The loveable Bill Murray gave one of his most touching and bittersweet performances last fall in St. Vincent. This year, Murray ...
There’s the temptation to throw out a big, (somewhat) cheeky comparison and say we’re looking at the most existentially heavy and historically dense film about ...
Guatemala’s first-ever entry for the foreign language Oscar is an absorbing, beautifully-shot drama of cultural ritual and the drive of one young woman to escap...
A perfect dish sets itself apart with intricacies only attested by its creator, after toiling in the kitchen iteration after iteration until reaching a culinary...
Post-apocalyptic thrillers don’t come much leaner or meaner than Northern Irish director Stephen Fingleton’s gripping debut feature The Survivalist. The world’s...
My status as a childless adult relinquishes me from the duty of sitting through every G and PG-rated distraction that comes down the pike. However, during some ...
Arnaud Desplechin’s My Golden Days bears some superficial similarities to national compatriots Eric Rohmer and Olivier Assayas, two directors who tend to make f...
