The protagonist and namesake of Mohamed Ben Attia’s Hedi certainly isn’t cinema’s first leading man to seek validation from a more free-spirited woman, and it's...
There's no doubt that Irish actor Jack Reynor deserves recognition for his role in Glassland, a modern-day kitchen sink drama set in a south Dublin social housi...
Absurdity turns quickly to boredom in Alejandro Amenábar’s Regression, the latest picture unceremoniously dumped by The Weinstein Company to your local multiple...
From start to finish, Christian Ditter's How To Be Single struggles to be both a forward-thinking comedy about women dating in the modern world and a reliably g...
The world has changed since Zoolander helped America laugh again after 9/11. A good deal of its new sequel tries to pan humor out of grappling with this. As the...
Just a year since the cancer dramedy Me and Earl and the Dying Girl won big at Sundance, this year’s festival opened with another in the subgenre – albeit witho...
The 1988 Winter Olympics in Calgary attracted more absurd hopefuls than coffee shops in Los Angeles. The collection of oddballs meant that the Jamaican bobsledd...
The kitchen sink's thrown against the wall with bathtub, toilet, and whatever else made of easily-shattered porcelain in the house following right behind—this i...
From its opening of characters listening in stunned awe to the music of a legendary fictional folk singer, Sean Mewshaw’s admirable but disappointing Tumbledow...
There were many great films about strong women at this year’s Sundance – Kelly Reichardt’s Certain Women and Antonio Campos’ Christine to name two of the festiv...
