Even if Monster Hunt were billed in America with "from Raman Hui, the supervising animator of everyone's favorite DreamWorks player, the Gingerbread Man, and co...
Though she was popular nearly a century ago, Florence Foster Jenkins feels particularly relevant to modern art’s ongoing dialogue with awfulness as a version o...
Though it tackles drone warfare, Eye in the Sky removes itself from many of the thornier issues of this ultra-timely subject. It’s modeled as a gritty military ...
Criticism can be a lot of things. Cheerleading, examination, storytelling, pathfinding. But the heart of it all is opening a dialogue, no matter the intention. ...
As unusual as it may seem, filmmaker Guy Maddin made a documentary about the making of a mid-budget Canadian war film called Hyena Road with his creative partne...
You have to give Max Landis credit for trying to breathe fresh air into Hollywood tropes through his genre-merging scripts, whether you believe they're effectiv...
It begins with the abduction of a girl. The scene is quiet and innocuous until it isn't—a car rolling up to a young girl to ask for directions as children play ...
Over the past decade, Norway has managed to out-Hollywood the thrill-happy American film industry by producing their own big-budget spectacles. Works such as th...
It’s startlingly easy to forget that America is still at war, and while the minutiae of the definition has shifted with the decades, it’s a persistent influenc...
Two worlds collide once young Kyuta (Shôta Sometani) and warrior Kumatetsu (Kôji Yakusho) meet in Mamoru Hosoda's The Boy and the Beast. The former was recently...
