Twenty years after Independence Day ramped up cinema’s obsession with mass destruction, its sequel ricochets between repetition and semi-clever subversion. Lond...
In cinema, differentiating it from most other mediums, one has the ability to give life to drama: time to flesh out characters, fill an unfolding story with int...
The sun is shining on a pristine, secluded beach -- a kind of cove consisting of white sand, a coral reef, and an outlying island that looks like a woman in rep...
Excepting the chance that some very obvious parallels went over a critic’s head, there's nary a review of Thomas Bidegain’s Les Cowboys that lacks mention of Jo...
I admittedly didn't think too much on The Phenom after watching its trailer. There was a good cast, its look behind the curtain of fame seemed intriguing, and t...
Inside Out notwithstanding, it’s been awhile since cinema attempted to make clowns scary again, or at least use them as the central focus of a horror piece. Che...
Inside a darkened bedroom in Colombia, a son (Edison Raigosa) gasps for air. His family is surrounding his fragile frame, looking on in anguish as he lets out c...
Somewhat likable if too silly for its own good, Puerto Ricans in Paris is the kind of film that might one day find itself adapted into a sitcom. Directed by Ian...
Considering Dwayne Johnson's relatively newfound dedication as Hollywood's action franchise Viagra and Kevin Hart becoming perhaps the biggest draw in comedy ov...
The ocean is a big, diverse setting for a movie, consisting as it does of environments both brutal and beautiful. In Finding Nemo, one of its most celebrated fi...
