The 2010 oil rig explosion in the Gulf of Mexico was a disaster beyond belief, not only causing the deaths of workers, but ecologically setting our planet back ...
Lav Diaz’s Golden Lion winner from this year's Venice Film Festival feels like something of a surprise because, for all its extended shots, luminous black-and-w...
It appears my first foray into Nollywood (Nigerian cinema) was well selected being the latest from director Izu Ojukwu, one of the nation's most ambitious artis...
Directors of a certain auteurist stripe serving as producers for up-and-comers and protégés can be a mixed blessing. On the one hand, they may over-exert their ...
We’ve lamented the qualitative drop of Chinese cinema around this time last year, as Hu Guan’s glossy generational drama Mr. Six closed the Venice Film Festival...
The film industry is still a long way from racial equity, but the last few years have seen strides to bring the young black experience to the screen in films li...
Maud Lewis, as played by Sally Hawkins in Aisling Walsh’s Maudie, was an incredibly important Canadian folk artist. Most of her paintings, all rather small-size...
Who amongst us has not wished for something like a snow day or a power outage that would get us out of school or work? As the title suggests, in My Entire High ...
Premiering in the Venice Days section ahead of its 2017 Australian release, director Ben Young’s feature debut is the kind of film you wish you could un-see – e...
We've all lost friends whether from naturally parting ways or an avoidable blow-up proving petty in hindsight. Age advances and tastes evolve — we don't often t...
