There's universality to Mathieu Denis and Simon Lavoie's Those Who Make Revolution Halfway Only Dig Their Own Graves, even if it is very much a Québécois film. ...
British filmmakers have a recent habit of bringing about canonical additions to UK queer cinema with their debuts. Andrew Haigh’s heartbreaking romance Weekend ...
With this visually and conceptually startling debut from Eduardo Casanova, the question of how John Waters and Pedro Almodóvar’s love child would fare as a film...
Enough footage of Alberto Giacometti exists to suggest that Geoffrey Rush is quite uncanny as the renowned surrealist sculptor in Final Portrait, a depiction of...
You can never have too much Isabelle Huppert, but in Barrage, the legendary actress plays a supporting role that perhaps shows you can have too little. It’s a g...
It’s one thing to give your movie a title as sweepingly ambitious as On Body and Soul, but quite another to deliver something equally transcendent. With this co...
There’s much to talk about over The Dinner, a rather cold and over-flowing plate of black comedy and moral conundrums that leaves one with a certain sinking fee...
It appears there’s been a conscious effort to de-glamorise this year’s Berlin film festival, rid of the star wattage that recent opening-night films have brough...
Something happened at my midnight public screening in London of Danny Boyle’s sequel to his 1996 smash. A heckler at the back, perhaps influenced by alcohol or ...
I’m not going to mince words: Kedi will go down as the most unabashedly adorable film of the year. While there are self-proclaimed "dog people" out there, it is...
