At the beginning of Bokeh -- the debut of writer-director duo Geoffrey Orthwein and Andrew Sullivan -- an idyllic montage introduces us to a young couple (Maika...
The Zookeeper’s Wife begins with those five famous words that hold the power to either become a film’s dependency (and therefore downfall) or its empowering cat...
There’s certainly no accusing Deidra & Laney Rob a Train of being too subtle. It is the kind of film that works in broad strokes, in comically heightened si...
Uncertain is an apt name for a Texas town stuck in such a liminal state, right over the state line from Louisiana. We’re told it’s a safe haven for those lookin...
An aside: I find it to be a personal obligation to mention the untimely passing of Bill Paxton, whose consistently vivid performances will be sorely missed with...
The premise that director Douglas Schulze and co-writer Jonathan D'Ambrosio have cooked up for their film The Dark Below is a bold one. This 75-minute thriller ...
Let's start this with an inquiry, one that hopefully engenders some consideration and an honest response: what are you seeking when watching a Terrence Malick f...
Harriet Lauler is not a nice women. Taught to be pushy and proud in her days leading an advertising agency in a small California town that still has a daily pap...
Though it may not feel fully inspired so much as competently pre-visualized, Kong: Skull Island fits snugly into the growing canon of reboots that exist within ...
A horror movie. A nature documentary. An anthropological study. A history lesson. A social justice statement. All plus more. Rat Film is one of the most origina...
