The second part of this year’s Venice Film Festival shines with at least two firsts: Ava DuVernay is the first African-American female director competing for t...
Politics are the enemy in Gábor Reisz’s Explanation for Everything, an ambitious, entertaining effort from the Hungarian filmmaker to address the crisis of div...
If the joy of art is that it can be interpreted in infinite ways over time, then is a project which “remixes” classic movie scenes by forcing them into the cur...
Raised in tow of a military stepfather, 14-year-old Priscilla Beaulieu lives in a West German US Air Force base when we meet her in 1959––the year she meets El...
Using photographer Danny Lyon’s iconic The Bikeriders’ imagery as a jumping-off point, Jeff Nichols’ latest feature imagines a fictionalized Chicago motorcycle...
Where to begin with Bertrand Bonello’s wonderful The Beast? It’s been so gratifying to see the initial reaction to the French filmmaker’s tenth feature, after ...
Amongst a typically raucous lineup at this year's Venice Film Festival comes Evil Does Not Exist, a work in which tensions rise over little more than the place...
Is it possible to leave your enfance without losing your terrible? The one-and-only Harmony Korine, now 50 years young, returns with Aggro Dr1ft, a premiere ou...
Murderers abound in the cinema of David Fincher, yet up until now they've tended to operate on the margins (Se7en, The Girl with the Dragon Tattoo) or hardly a...
Bradley Cooper is undoubtedly feeling the Bern. There’s something very endearing about Cooper’s star persona, not least the fact that, of all modern Hollywood ...
