Is there such a thing as “A24 horror” now? I had that thought watching Rose Glass’ debut feature Saint Maud. It feels indebted to some of the distributor’s titl...
Arriving about two years after a series of revelations brought to public predatory behavior that’s been at the core of the film industry since its inception, Ki...
The reason Yung Chang picked This is Not a Movie for the title of his documentary on renowned journalist Robert Fisk stems from his subject's inspiration for pu...
Writer/director Katrin Gebbe is not messing around with her latest film Pelican Blood. What starts as a psychological drama about a mother desperate to provide ...
Hiroyuki Imaishi is–in the very best way–one of animation’s finest ambassadors of ADHD. His 2004 directorial debut, Dead Leaves, is a masterpiece of sci-fi acti...
Directed by Mahnaz Mohammadi (her feature fiction debut) and written by Mohammad Rasoulof (a renowned Iranian filmmaker), Son-Mother is about exactly what its t...
Heinrich Senft (Heinz Trixner) is alone on his little patch of land within a gated senior citizen community, his pension sustaining ready-made meals and the car...
What road should one take when approaching a film like An Officer and a Spy? On one hand, it is a perfectly robust, informative, prestige-y and even timely dra...
After more than a decade, writer-director Rob Zombie returns to finish his sadistic Firefly Family Trilogy, reanimating their spree of murder and mayhem after H...
Despite the title of Garin Hovannisian's documentary on Armenia's 2018 "velvet revolution" being I Am Not Alone, journalist/activist/Congressman Nikol Pashinyan...
