Starting with the work of Joy Buolamwini of the MIT Media Lab, Shalini Kantayya’s Coded Bias is an alarming look at the imperfections of technology trusted to ...
Emotionally affecting if somewhat unfocused at times, Kim A. Snyder’s US Kids is an often inspirational documentary capturing the energy and personalities behi...
When DAU. Natasha premiered at the Berlinale less than a moon cycle ago it was unprecedented and an entirely unique film. We now have precedent for the DAU mov...
Directed by Sarah Brennan Kolb, Good Ol Girl is an evocative look at three women working their way up the hierarchy of Texas cattle ranching, featuring self-s...
America’s sharp political divide is an oft-explored topic in cinema, and a tale as old as time across any medium. However, with our country’s unceasing mass sh...
Hunter (Haley
Bennett) has never had control over her life. She's tried her hardest to claim
some, however, by giving away her love. She gave it to a mother wh...
It’s a small detail, the way Ben Affleck opens a can of beer, but it’s impossible to ignore. Before he sets one down on a table, he pops the top using just his...
Watching the trailer for Pixar’s Onward a few months ago in a theater packed with children was an odd experience. The film, about teenage elfs on a magical que...
One person's optimal
drama isn't universal. Just because you might like the explosiveness of Marriage Story and its emotional outrage
doesn't mean your friend ...
In 2018, Victor Kossakovsky set out to shoot Aquarela, a survey-symphony that took the Russian documentarian around the world to capture glaciers, waterfalls, ...
