Toni Erdmann wasn’t the first film to skewer corporate culture, but the epic-length comedy struck a chord with many for how it used a fish-out-of-water conceit...
A Prince, the second narrative feature from French director Pierre Creton, is rather strange. There is a chorus of narrators for a quiet film. This movie is ob...
If you need an example of a movie that doesn’t earn the portentous use of chapter titles and an “Everything In Its Right Place” needle-drop, look no further th...
In an interview with the Metrograph Journal, Eduardo Williams remembers the first time he ventured into a jungle. Rumor had it the forest teemed with cougars, ...
Clearly the COVID-19 scenario's been on Cristi Puiu's mind. After all, the Romanian director loudly voiced his opposition to mask mandates when on the publicit...
Matteo Garrone’s talent for weaving stories out of the fabric of real events––especially those involving desperate or violent people––gets another airing in Io...
As far as the music documentary is an extension of a brand experience, Lil Nas X: Long Live Montero provides an illuminating look behind the scenes, demystifyi...
Since his breakthrough 1994 feature Once Were Warriors, a troubling and fiery coming-of-age story indie set in New Zealand’s Maōri community, Lee Tamahori has ...
During the TIFF screening of Isiah Medina’s He Thought He Died, which was preceded by Blake Williams’ 3D short Laberint Sequences, nearly half the theater clea...
Films with child protagonists present a unique tonal challenge. If overly saccharine whimsy can alienate an adult audience, having precocious kids delivering m...
