A dazzling and frank dance musical (with, truth be told, very little memorable music), Boaz Yakin’s Aviva is an ambitious picture free from the restraints of t...
A timely but confusing mess of styles, tones, and subject matter, Spike Lee's Da 5 Bloods zigzags between the director’s trademark topical diatribes on race an...
Always bold to some degree, seldom less than ambitious, William Friedkin's career as a filmmaker has resulted in countless awards; box offices records broken; ...
There's
a moment in Jeremy Hersh's feature directorial debut The Surrogate where a heated argument devoid of any correct answers
reaches the inevitable questio...
Max (Nikolaj Coster-Waldau) is an insurance adjuster who just told his latest client that her claim wouldn't be approved since her husband's six-month disappea...
Cities are special. Each one has its own particular idiosyncrasies–little places, and moments of culture that make it stand out in the world, nuances that coul...
With his hands on the steering wheel driving down the highway, Scott (Pete Davidson) closes his eyes, ready to crash into what lies ahead and explode into flam...
Back in 2016, the Twitter account for French studio Pathé Films released a NSFW trailer for the DVD and Blu-ray release of Paul Verhoeven’s much-reviled (or, r...
Arguably the most eclectic director of the “Toronto New Wave," Bruce McDonald returns with his most ambitious and perhaps most frustrating film yet, Dreamland....
The line between vengeance and murder is illusory at best, and outright deceptive at worst. This means that, in cinema, there can be no revenge without bloodlu...
