Sometimes
the memories of our inaction haunt us more than the actions we have committed. This
can be especially true at war once you return home to realize the...
The
usual rom-com formula is as follows: the lead breaks-up with their significant
other, escapes to a far-flung place to pick up the pieces, and finds true lo...
There's a lot to like about Jeffrey A. Brown's feature directorial debut The Beach House, from its gorgeous production design to its ruminations on mankind's f...
If it seems impossible to stay positive at this moment in history, look to the enduring spirit of John Lewis. The Georgia congressman, who has encountered all ...
At the very core of Relic is an image of family as a myopia of terror. Perhaps more importantly, buried underneath, is compassion in the face of decay. Family ...
In this current age, the war film as a piece of genre filmmaking has grown complicated. For every "America First"-heavy remake like last year's Midway, there i...
Discovering Sy Rogers was a big deal for me. As a gay kid in Pensacola, FL, I learned early on that my “same-sex attraction”––as it’s often called in conservat...
The aftershock of November 8, 2016 has been felt most fundamentally on a human level, as vital rights have been stripped from the underserved and overlooked me...
In the new documentary King of the Cruise, to put it in the simplest of terms, a king takes a cruise. This journey is a God’s eye tour of the Celebrity Eclipse...
At the same time when Title VII of the Civil Rights Act of 1964–which explicitly prohibits discrimination based on "race, color, religion, sex, or national ori...
