Barry
(Gary Green) is a piece of work. He's a deadbeat husband to Suz (Chanelle de
Jager), deadbeat dad to their son, and all-around deadbeat to Cape Town on t...
At 130 minutes, Skin: A History of Nudity in the Movies has a clear trajectory. Well, make that a clear enough trajectory. Dipping its toes into present-day be...
On its most superficial horror flick level, Jay Baruchel's latest directorial effort Random Acts of Violence works. Co-adapted with Jesse Chabot from Justin Gr...
If you go on Kurt Kunkle’s Instagram, you will find stories filled with “pull yourself up by your bootstraps” American happy talk. Kurt leans in, and mostly fa...
With a clear reverence for sci-fi horror landmarks, principally Alien, the new Russian feature Sputnik looks to crash-land into the genre with high ambitions. ...
In the world of masculine cinema, there may be no more divisive and inconsistent an auteur than David Ayer. Indeed, even writing the words "auteur" and "David ...
Part infomercial, part surrealist performance art, Alejandro Jodorowsky’s newest documentary Psychomagic, a Healing Art is a messy exploration of the filmmaker...
Tragedy
strikes forty years after moving to Sweden and the loss is so profound that Trond
(Stellan Skarsgård) discovers it difficult to continue on as before. ...
This was the week when Kate's (Gillian Jacobs) dreams were supposed to come true. Her debut novel was releasing, her wedding was on the horizon, and a nationwi...
The phrase "the calm before the storm" has always been an interesting one because it posits that storms are inevitable and periods of calm are nothing but an i...
